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Ekatako Biu Chharera Aaja
November 06, 2013 05:09 AM PST
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I learned this music from my Dad. I don't really remember much of what he sang in it. But the music has enchanted me, and I have tried to preserve it in my own words.

Twelve Years at KU
October 14, 2013 06:04 AM PDT
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This narrates my twelve years at KU.

Tune from the Rural Gufa
April 01, 2013 04:22 AM PDT

This comes as a souvenir from one of the hectic moments at the Rural Gufa in Malepu, Sunkhani, Dolakha. I was just passing time with my flute. It just happened to be somehow good.

Some of My Published Poems
March 07, 2013 09:03 AM PST

Aryaghat Spectacle, Along Rough Waters, Devkota Outlives Me, I Grope for a Word, I Wait for a Rescuer and a few more...

Juneli Raatma Dil Kholi
February 01, 2013 06:37 AM PST

जुनेली रातमा दिल खोली
दोहोरी गाउन मन लाग्यो
यो ठाउँमा नमर्ने
पिरती गाँस्न मन लाग्यो ...

कुन मन्दिरमा जान्छौ यात्री
November 15, 2012 07:34 PM PST

मलाई वर्षमा एक पटक देवकोटाका रचना गायनको अवसर मिल्छ । यसपालि (२०६९ साल) देवकोटा अध्ययन तथा अनुसन्धान केन्द्र र रुसी साँस्कृतिक केन्द्रद्वारा कार्तिक २७ गते आयोजित छुट्टाछुट्‍टै कार्यक्रमहरूमा 'यात्री' कविता गाइयो । यो audio मेरो गायनभन्दा बढी महाकविको रचना प्रस्तुति हो भन्ने ठानिदिनुहोला ।

Interview with Dr. Rajendra Bimal: Part One
May 31, 2012 10:54 PM PDT

Presented by Praveen Kumar Yadav

Construction of Protagonist Rhetorical Vision
March 03, 2012 07:55 AM PST

The history of Nepalese social movements is characterized by the contest of credit-taking/losing between major political actors. Discourse representing this contest problematizes yet forms a vantage point for rewriting contemporary Nepali history. This text presents a thesis that rhetorical study of movement-time corporate editorials discovers at least one alternative location to look at the recent history of Nepal -- the construction of a protagonist warrior youth.

The Periphery Signifies As Much. Interview with Mr. Prem Subedi
December 28, 2011 09:02 AM PST

Interview of Mr. Gambhir Man Maskey
June 26, 2011 07:15 PM PDT

This interview was prepared in assistance of Mr. Eak Prashad Duwadi. I am very grateful for his help.

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